"Morpheus B: The O.G." is ... Old School

When I use the term "old school", I'm referring to the time period from the mid 1960's to the the early 1980's, with a strong emphasis on the 1970's. This period was the most creative and exciting time in music history. The songs (and the 'sound') from this period, across multiple genres, are songs we still listen to today and they still touch us and move us. These are timeless songs that even the younger generations relate to (and sample!).

I was fortunate to grow up during this period. I listened to a wide variety of music. The local radio station played jazz and jazz-fusion during the weekday and had a special blues show every Monday night. Other times, I heard Top 40 songs, a mix of pop, rock, funk, and R&B. Every other week or so, when I visited my grandmother, I heard jazz and blues. I heard everything from Vivaldi to Led Zeppelin, Howling Wolf to the Isley Brothers, and Dinah Wahington to Grover Washington, Jr. I also received most of my formal music training during this time: piano (pop and classical), to violin (classical and jazz), to electric guitar (R&B and rock), and finally to alto sax (jazz, rock, and blues). This collective listening experience and musical training is the sensibility I bring to my own compositions. I don't feel compelled to restrict myself to any one musical style of genre. Instead, I allow myself to freely express what I hear or feel in my head at the time.

I am "Morpheus B: The O.G.". "Morpheus" as in one who 'morphs', free to change and explore, open to the infinite possibilities presented by technology and the Universal Groove Collective. I hope you enjoy the little pieces of my soul, and my heart, that I share through my music. Peace.

Morpheus B

Being “THE MAN”: The Lost Art Of Record Collecting

Back in the day, the size of someone's record collection defined their level as a "music aficionado". The more albums you had in your collection (probably stored in milk or fruit crates), the more musically-oriented you were considered. In fact, it was a matter of pride. Having more albums, or having albums no one else had, made you "The Man". I was one of those people.

There was something special about buying an album, ripping off the plastic when you got home, and playing it for the first time while reading the liner notes. I learned a lot during this time. I grew to recognize various musicians by their ‘sound’. The process grew my album collection and introduced me to great music I never would have heard on the radio and I still listen to today. 

By the early 1980's I had over 1000 albums, mostly jazz, and many albums most people had ever heard before. I spent hours at the record store, sorting through the albums and reading the album cover backs to see who the musicians were. I bought many albums on the strength of the session musicians or, I must admit, on the album art.

I used to enjoy playing an obscure album by a known artist and telling listeners "if you can tell me who this is, I'll give you a $1000!" My two favorite albums for this challenge were "Daddy Bug and Friends (1969)" by Roy Ayers and "Kool & The Gang (1969)" which was Kool & The Gang's debut album.

I have never lost that bet.

In 1981, my college roommate was a party DJ and I was a radio station DJ. Between the two of us, we had enough albums to stock a small record store. Over the school year, we spent hours listening to music and introducing each other to artists or albums the other hadn’t heard. On the surface, we were trying to “one up” each other, but ultimately, it was a journey of discovery and sharing that we both enjoyed.

As technology evolved, I acquired over 2000 CDs, in addition to my vinyl album collection. Many of these CDs were titles that I had the vinyl versions of as well. I could point to my music collection and it was clear, I was a music fan. I was PROUD!!!

But in today's world, with online access to a tremendous library of music, what does it mean to be a "Music Fan"? A person no longer needs to "own" anything. Having a subscription to Rhapsody, Pandora, or many other sites, gives one access to an almost endless library of music. We now have the ability to create and listen to music playlists of songs we may or may not own. Depending on the music streaming service we subscribe to, we hear artists (such as Morpheus B!) that we haven’t heard before along with our favorite artists.

So how does someone claim the title of “The Man” (or “The Woman”) today: a true music fan? Is it the number of paid subscriptions to music sites that you have? Or is it the size of the hard drive you store your MP3s on? All I know is that I’ve got a 1.5 terabyte drive filled with music, several subscriptions to music sites, PLUS my vinyl album and CD collection. I’m old school and, by any definition, I know I am “The Man”.